Modern Artistic Process in Uzbekistan

Abstract

Uzbekistan, as the cradle of ancient civilization, boasts a rich artistic heritage deeply embedded in national identity and spiritual values. Since independence, the nation has witnessed a dynamic resurgence in its fine arts sector, particularly in painting, fueled by state initiatives, institutional support, and the revitalization of historical memory. While the transformation of Uzbek painting has received attention, there remains limited scholarly synthesis of the artistic trends that bridge traditional heritage with contemporary expression in the post-independence period. This article aims to analyze the evolution of modern artistic processes in Uzbekistan, focusing on the emergence of new genres, reinterpretations of historical themes, and the influence of national identity on artistic expression. The study identifies two major trends in post-independence Uzbek painting: the revival of historical portraiture and a shift towards decorative abstractionism, both rooted in national values and spiritual heritage. It highlights the role of institutions such as the Academy of Arts in supporting creative growth, and the emergence of a new generation of artists blending traditional aesthetics with global modernist elements. The research presents a comprehensive overview of contemporary Uzbek art through the lens of cultural transformation, tracing how historical consciousness and modern visual language coalesce in national art practices. The findings underscore the importance of art education, institutional backing, and cultural policy in fostering a vibrant artistic ecosystem, while reaffirming the role of art in shaping civic consciousness and preserving national identity amid globalization.